主演：皮埃尔·布拉瑟,塞尔日·雷吉亚尼,伊夫·蒙当,纳塔莉·纳捷,萨蒂南·法布尔,雷蒙·比西埃尔,让·维拉尔,西尔维娅·巴塔耶,雅内·马尔肯,妲妮·罗宾,加布丽埃勒·丰坦,克里斯蒂安·西蒙,法比安·洛里斯,勒内·布朗卡尔
导演：马塞尔·卡尔内
简介：1945年2月,在巴黎的地铁里,一个工人金 迪戈遇到一个会算命的流浪汉.流浪汉预卜他将要和一个漂亮的女人发生爱情,而且就在几个小时以后将出现戏剧性的情景.不久.金就遇到一个逃避不幸婚姻的年轻女人玛瑙.玛瑙的弟弟盖伊也同样地接到了那个神秘的流浪汉的警告:他正在被一个不幸的死亡所逼进.盖伊不理睬他.盖伊告诉玛瑙的丈夫乔治,玛瑙已经和金坠入情网.因为怀疑金有武器,乔治勉强地接受了盖伊给他的枪.....更详细的资料, 请访问: http://morricone.cn/master/master-022-2.htm
主演：绫濑遥,藤本安马
导演：TBS
简介：片中绫濑遥来到了位于日本广岛县的大久野岛，为了探寻这座曾经一度消失在日本地图上的神秘岛屿的历史，她采访了91岁高龄的藤本安马先生。作为当时在毒气岛上参与毒气制造的少年兵，老人说出了让人震惊的事实，“制造毒气的目的是为赢得中国侵略战争的胜利，原本人们是为了生存而学习，而我并不是为了生存而去学习，是为了杀死中国人而制造毒气，这就是所谓的犯罪者。杀害了中国人这一事实是不能被扭曲的，扭曲成是英雄行为更是不能够。”
主演：柯焱曦,熊婧文,秦海
导演：禹岚馨
简介：一所重点高中专门安置关系户的班级招来了两所中学的一群不良少男少女，他们在各自头目的带领下，嚣张跋扈，彼此PK，为争班级老大成天混战，以捉弄老师为eee。突然有一天，这群不良少男少女破天荒地决定联手，宣称要拿下期末考试年级前十和文明班级流动奖杯。这一切的变化都是因为他们收到了一封未来的自己寄来的信。信中除了历数他们在毕业班里将要发生的事件，还希望他们善待他们的班主任，一位正直善良的数学老师。信中的预言一一言中，在老师的因势利导下，不良少男少女真的走上了迈向未来的正确发展之路。故事在学生和老师之间冲突和情感的跌宕起伏中突显影片的主题：积极向上其实植根在每个人的心里，真诚和坚持是唤醒成长的一把钥匙。
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Ana?s,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Ana?s,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book ? Harry Potter and the Half-Blood Prince ?. It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：李天柱,林子熙,王琄,谢琼煖,黄尚禾
导演：陈宇诘
简介：阿盛（李天柱 饰）是一个在北京生活已久的台商。他有两个老婆，一个离婚已久的台湾前任（谢琼煖 饰），一个感情不错的北京现任（王琄 饰）隔着两岸，不相往来。阿盛也有两个女儿，一个叫嘉欣（林子君 饰），一个叫恋恋（陈怡溱 饰），妹妹因为崇拜姐姐，从北京来台湾念大学，两人同住在一个屋簷下。妹妹刘恋在游泳队的潜水活动中意外身亡，警方判定她是因过量安眠药引发窒息死亡，认为同住的姊姊嘉欣身为潜水老手，与其一同下水，有故意杀人的嫌疑。爸爸阿盛回到台湾为小女儿办理后事，与疏离已久台湾的大女儿嘉欣再度重逢。身在北京的恋恋妈妈来台誓要查明真相。阿盛的前妻，嘉欣妈则誓要保护嘉欣。而游泳队长伯谚（黄尚禾 饰）内心似乎藏着什麽秘密......一对父女，两岸的家庭，就此掀起一场关于过往的风暴。
主演：曹在显,尹启相,车秀妍
导演：崔镇昊
简介：年轻拮据的吴在京（尹继尚 饰）连续参加了三年司法考试都未获通过，为了赚点儿生活费他在监狱找了份狱警的工作。可是从当狱警的第一天起就有罪犯开始欺负在京，这让在京不知所措。已经当了10年狱警的宗浩（赵在铉 饰）提醒他“动物不会欺负比自己更强的家伙”，并开始一步一步的教在京管理罪犯的方法。除此之外，狱警长（朴仁焕 饰）经常跟死刑犯聊天、下围棋，这也让在京倍感惊讶。某一天，首尔监狱突然出现了一条大新闻。在过去12年里一直被废除的死刑，因为连环杀人犯张龙斗的案件而即将被恢复。几天后法务部的死刑执行命令书被发送到了首尔监狱，这在狱警中引发了轩然大波。宗浩主张死刑只是法律的一部分，愿意执行死刑，但除了他没有一个人愿意被安排到执行组。这时，死刑犯张龙斗试图自杀，而唯一拥有死刑执行经验的金狱警长则突然消失了。这一天，自杀的张龙斗被抢救过来，和另一位将近70岁的死刑...
主演：Paula,Niedert,Elliott,克里斯·艾略特,艾比·艾略特
导演：布赖德·埃利奥特
简介：Set over the course of a single evening in the Reynolds family home in suburban Connecticut, Clara's Ghost tells the story of Clara Reynolds who, fed up with constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her.
主演：艾丽西娅·阿格尼森,拉克兰·尼布尔,布莱恩·卡斯佩,马克·弗莱施曼,Abigail,Rice,Klara,Mucci,大卫·哈特尔,Kristína,Kanátová,艾米劳顿,Ján,Jackuliak,Lucka,Hurajová,马里安·洛布道,Lucia,Vráblicová,Katarína,Safaríková,Gregor,Holoska,Mark,Parsons,Juraj,Hrcka,Ondrej,Kapralik,Attila,Vegh
导演：Peter,Magat
简介：战争士兵杰克离开部队，在山里一个与世隔绝的村庄里找到了他的妻子伊娃。她搬到那里的一家工厂工作，却不知道酒吧老板的残忍。秘密警察来了，杰克和伊娃的时间似乎都到了。
主演：加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Beno?t,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
导演：路易·马勒
简介：二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejt? 饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
主演：内详
导演：李娴娟
简介：电影名《兵演兵》导演：李娴娟(总) 王程帆 李希强 周刚 郭谨良主演：地区：中国大陆分类：戏曲片上映：1991年1月1日纪录了中国人民解放军1990年全军业余文艺汇演的部分优秀节目，其中有南京军区的，总参、二炮、兰州军区代表队合演的唢呐三重奏《朝阳沟》选段，总后的女声独唱《唐古拉的风》，成都军区的舞蹈，北京军区齐海霞的女声独唱《兵之歌》。沈阳军区郭其富、李智敏的对口相声《接雷锋》。海军代表队的歌伴舞《山里来的水兵》，南京军区的表演唱《咱们的马连长》，总参王红涛的女声演唱《南腔北调》，广州军区的相声《文明值勤》，二炮的表演唱《我跟祖国一二一》，总后的表演唱，二炮的《电视管理员》，总参的女声二重唱，北京军区的男声二重唱，总参的独舞《工地...本台记者报道：昨天（10.22）上午，省会“征兵宣传日”活动在人民广场举行。1000多名适龄青年及家长和各界群众前来咨询今年的征兵政策和条件。省军区政委张连仁少将在活动仪式上讲话。他说，依法服兵役是《宪法》赋予每位公民的光荣义务，广大适龄青年要积极响应祖国召唤，踊跃报名应征。广大家长要以国家利益为重，舍小家、顾大家，积极支持子女参军入伍、报效祖国。市委书记、市长、市征兵工作领导小组组长吴显国表示，征兵工作是加强国防和军队建设的基础工程，必须站在加速推进社会主义现代化的历史进程，构建社会主义和谐社会，实现中华民族伟大复兴的高度，全力以赴地做好征兵工作。吴显国指出，各级政府要加强组织领导，兵役机关要充分发挥职能作用，有关部门要积极配合，为征兵工作提供强有力的组织保证。要采取多种形式，迅速掀起征兵宣传的高潮，大力营造“国防义务、人人有责”、“一人参军、全家光荣”的良好氛围，激励广大适龄青年的参军报国热情。活动之后，军地文艺工作者同台表演了舞蹈《兵演兵》等精彩的文艺节目，省、市军地领导向适龄青年发放了征兵宣传资料。
主演：方伟杰,蔡承峻,李光明,林圣宇,黄汉斌,吴国江,朱厚任,那广子,王朔,朱颜曼滋,陈传之
导演：郑斌辉
简介：少年篮球好手碰上高他一个头的对手。一个来自新加坡，一个来自中国。两人初次见面，八字不合，拼了命、一较高低；除了比身高比球艺之外，还有身份认同及社会归属感。少年之间，自然存在着竞争和互相排斥，但也从中培养深厚友谊。新加坡一位篮球界大腕，重金引进中国具备甲组球队水平、高素质的少年球苗，并安排所有球员接受为期两年的重点职业球员训练。他们立志要提高新加坡篮球水准，为篮球界注入新动力，希望能栽培出“下一个姚明”。一支新苗队，如何准备上场应战？适者生存的世界里，初生之犊怎么面对成年人的压力？ 不同背景、不同国籍的年轻人，经过三场激烈竞赛后，终于发现友情比战情和国情都更为可贵……本片改编自真人真事。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：贝尔·德利亚,Andy,Rodoreda,Steve,Davis,卢克·阿诺德,戈兰·D·克鲁特,James,Caitlin,Ben,Maclaine,彼得·麦卡拉姆,Rebecca,Clay,Shannon,Harvey,Arianna,Gusi,Russell,Jeffrey,Jessica,Fallico,Ben,James,Peter,Overton,瑞妮·林,丹·伊利克
导演：卡罗·莱德斯马
简介：澳大利亚悉尼，新南威尔士正遭受严重的干旱，水资源短缺成为亟待解决的问题。为了应对这一情况，政府决定开发一项水资源循环利用的项目，其中包括将位于悉尼城市下方的一段废弃的铁路隧道加以利用。围绕隧道的改造和难民去向，在社会上引起了巨大争论。虽然沸沸扬扬，但是该废弃隧道的改造计划却戛然而止。与此同时，关于隧道中存在着神秘怪物的传言也愈演愈烈。一段Youtube上流传的视频引起了女记者娜塔莎·华纳（贝尔·戴利亚 Bel Deliá 饰）的注意，她联系了几名业内的好友和同事，带着摄像器材前往隧道中一探究竟，恐怖的旅程就此拉开序幕……
主演：赵魏,黄唐一佳,岳鼎,田肖玉,王艺铮,李子芊
导演：茅毛
简介：An alluringly low-key and enigmatic portrayal of the alienation, disillusionment and loss of direction that have become widespread among young people in contemporary China. Filmed in elegant and absorbing long takes, the film interweaves the lives of several rootless people who become linked with one another by chance, by their sexual obsessions, and by the loss of a mobile pho...
主演：高仓健,倍赏千惠子,吉冈秀隆,铃木瑞穗,鼻肇,畑正宪,渥美清
导演：山田洋次
简介：寒冷偏远的北国，人们祖祖辈辈生活于此。在这片纯然且严苛的土地上，盛开着一朵来自他乡、柔弱而又坚强的鲜花。她叫风见民子（倍賞千恵子 饰），早年不顾家人的反对，决然跟随爱人来到北国经营农场。数年前丈夫撒手人寰，民子既要继续支撑农场，又要抚养儿子武志（吉岡秀隆 饰），个中艰辛谁人知。某天，一名沉默寡言有着坚毅面庞的男人路过农场，他去而复返，恳请民子留他在这里帮工。虽则顾虑重重，但是民子还是收留了这个名叫田岛耕作（高倉健 饰）的男人。耕作背负着不堪回首的过去，在这个远离城市喧嚣的偏远所在，他全身心地投入劳作，既与武志结下深厚的友情，也赢得了周围人的信任。他的坚毅也慢慢开启了民子的心门……本片为“民子三部曲”的最后一部，前两部为《家族》和《故乡》。
主演：乔什·哈切森,本尼西奥·德尔·托罗,布拉迪·科贝特,卡洛斯·巴登,Claudia,Traisac,特诺切·韦尔塔,安娜·吉拉多特
导演：安德里亚·迪·斯戴法诺
简介：哈切森扮演的尼克，是个涉世未深的大学生，与哥哥一起来到哥伦比亚旅行冲浪时，爱上了一个当地的女孩玛利亚，而玛利亚正是毒枭帕布罗·埃斯科巴的侄女，尼克由此进入埃斯科巴的毒品网络，成为其亲信之一。政府对贩毒组织的大规模调查和打击开始之后，埃斯科巴的疑心也日渐加重，尼克的处境岌岌可危……本尼西奥·德尔·托罗在片中扮演的毒枭帕布罗·埃斯科巴（Pablo Escobar），历史上确有其人。他是哥伦比亚臭名昭著的“可卡因之王”，1993年死于哥伦比亚警方的追捕行动。
主演：胜新太郎,三木纪平,坪内美纪子,加藤武,春本富士夫,伊达三郎,木村元,小林佐智子,泽村宗之助
导演：井上昭
简介：ある朝突然暴漢に襲われた座頭市は、一人を斬り殺し、もう一人の腕を斬り落した。こんな血なまぐさい旅に嫌気のさした座頭市は、昔、あんまの手ほどきをうけた彦の市師匠と、その娘お小夜を麻生の宿に訪ねた。だが、彦の市は殺され、お小夜は宿場の親分錣山の辰五郎のために、今は名も錦木と変え女郎に身を沈めていた。驚いた座頭市は、お小夜のいる丁字楼を訪ねた。しかしお小夜は辰五郎の息のかかった郡代役所の磯田幸右衛門のいうままにならず激しい折檻の末土蔵に閉じ込められていた。土蔵に忍びこんだ座頭市はお小夜から事件のあらましを聞いた。--彦の市は、あんまの最高位である検校位をもらうため、三百両の金を持って京都へ旅立った。が、途中何者かに殺され金をうばわれた。さらに辰五郎は親切ごかしに貸した百両をたてにとり、お小夜を丁字楼の女郎にしてしまったのだ--その夜座頭市は井戸尻軍十郎と名...
主演：奥平大兼,铃鹿央士,小仓史也
导演：古厩智之
简介：PLAY!」は金髪にピアス、見た目はヤンチャなeスポーツビギナーの郡司翔太と、けがによってバスケットボールをあきらめた天才ゲーマー?田中達郎を中心にした物語。翔太は学校の壁に貼られた「“全国高校eスポーツ大会”メンバー大募集」という勧誘ポスターに惹かれ、1学年先輩の達郎に連絡する。達郎は1チーム3人編成のロケットリーグにエントリーするため、Vチューバー好きのクラスメイトを強引に誘い、チーム「アンダードッグス（かませ犬）」を結成。本来なら学校生活で交わることのなかった3人は、次第に競技に魅せられ、練習を重ね、東京での決勝戦を目指す。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...?Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life? can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：卡迪小子,Chris,Palko
导演：希亚·拉博夫
简介：1934版 Dwain Esper电影导演执导剥削电影1963版 Michael Carreras执导本片1980版 William Lustig执导本片2005版 Ingo Trendelbernd执导本片2012版 重制（翻拍）1980版影片2011版 Shia LaBeouf拍摄同名短片 【本豆瓣条目】